Expression as culture from a range of perspectives
- Keywords
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media, sensitivity, architecture, design, music, fashion
From as early as we can remember, we are encouraged to be individuals. Similarly, we are encouraged to express ourselves. Individuality and originality are prized. But is this really true? What are individuality and originality? Where did these concepts originate in the first place? The Expressive Culture course begins with investigating expression. To have an unceasing interest in expression is, in itself, to question it.
The Expressive Culture course concerns the historical and social study of expression as culture that has emerged regardless of man’s conscious awareness of it. Unfortunately, the imagination of individuals is no greater than their physical stature. However, in society, which is made up of people, the power of imagination can achieve remarkable feats. Society, then, has an influence on the characteristics of the era to come. The point at which we begin to question the world of expression that we have accepted at face value is the starting point for further research in this course. Through a wide-range approach that includes literature review, experiments, and fieldwork of actual expression activities, the course provides students with a thorough awareness of the past, present, and future of expressive culture, as well as a flexible, creative conceptual ability. In addition, the course also develops a student’s ability to communicate this awareness and these concepts in a clear, logical, and expressive manner. The course prepares students to use what they learn in the field of expressive culture in a variety of careers, including professions in government and business, and organizations, research, curating, art management, stage management, editing, journalism, and writing.
Staff
Name | E-Mail/Personal Site | Title | Research Field/Research Interest |
---|---|---|---|
HIRAYOSHI Hiroko (平芳 裕子) |
hirahiro [at] kobe-u.ac.jp Personal Site |
Associate Professor |
Fashion Theory Representation of Women in Fashion Magazines |
NONAKA Tetsushi (野中 哲士) |
tetsushi [at] people.kobe-u.ac.jp Personal Site |
Professor |
Cognitive Science, Ecological Psychology Major research interests in processes of formation of action-environment linkage, flexibility of behavior, and the act of tool-use in humans and animals from perceptual, developmental, ecological, and evolutionary perspectives. |
OHTA Misako (大田 美佐子) |
misaohta [at] kobe-u.ac.jp |
Associate Professor |
Music Aesthetics, History of Music Musical theatre in the 20th century, modernism in music |
OKANO Masahiro (岡野 真裕) |
mshrokn [at] boar.kobe-u.ac.jp |
Assistant Professor | |
TABATA Akeo (田畑 暁生) |
akehyon [at] kobe-u.ac.jp |
Professor |
Socio-Informatics Socio-Informatics |
TANI Masato (谷 正人) |
tanimasato [at] people.kobe-u.ac.jp Personal Site |
Associate Professor |
Ethnomusicology Ethnomusicological Research on the Concept of “Improvisation” in Iranian Music |
UMEMIYA Hiromitsu (梅宮 弘光) |
umemiya [at] kobe-u.ac.jp Personal Site |
Professor |
Architectural History Modernism in Japanese Architecture |